▶︎ Ning Sen Solo Exhibition｜When Will You Return?When Will You Return?When Will You Return?
▶︎ Exhibition Dates｜September 11–20, 2026
▶︎ Venue｜Fruit Wine Dance Hall, 2F, Building M2, Huashan 1914 Creative Park
▶︎ Opening Hours｜11:00–17:30
▶︎ Exhibition Dates｜September 11–20, 2026
▶︎ Venue｜Fruit Wine Dance Hall, 2F, Building M2, Huashan 1914 Creative Park
▶︎ Opening Hours｜11:00–17:30
▶︎ Opening Reception｜September 12, 15:00
▶︎ Artist Talk｜September 19, 15:00–16:00
▶︎ Artist Talk｜September 19, 15:00–16:00
▶︎寧森個展名稱｜下次多久回來？下次多久回來？下次多久回來？
▶︎展期｜2026 年 9 月 11 日至 9 月 20 日
▶︎地點｜華山 1914 文化創意產業園區中2館2樓果酒練舞場
▶︎開放時間｜11:00－17:30
▶︎開幕導覽｜9/12 15:00
▶︎講座活動｜9/19 15:00-16:00
“Lying inside, I felt calmer than I had imagined.”
“I remembered an afternoon from my childhood.”
“The place I had been avoiding all along turned out to be the place I longed for most.”
“Everyone I missed came back.”
“When everything became quiet, the memories began to surface.”
“Thank you to the person I was back then for not taking my own life.”
“Will you plant a tree on me?”
“Home.”
Eleven years ago, we lay inside coffins and let the stories hidden within our bodies begin to develop.
Eleven years later, what do we still remember?
“How long until you come back? How long until you come back? How long until you come back?”
Grandma asked again.
「躺在裡面，比我想像中平靜。」
「我想起一個童年的午後。」
「原來，一直逃避的地方，是心中最嚮往的所在。」
「想念的人們都回來了！」
「最安靜的時候，回憶都跑出來了。」
「謝謝當年的我沒有自殺。」
「在我身上種顆樹好嗎？」
「是家。」
十一年前，我們曾躺在棺材裡，讓藏在身體裡的故事開始顯影。
十一年後，還記得些什麼？
「下次多久回來？下次多久回來？下次多久回來？」
阿嬤又問了一次
#TheProjectBeganTheDayGrandmaForgotMyName
#HowManyLivesDoWeScrollPastInJustAFewMinutes
#InTheEndWeAllEnterAnImmersiveSensoryTheatre
#DontComeOnATooFullStomach 🤔
#HowManyLivesDoWeScrollPastInJustAFewMinutes
#InTheEndWeAllEnterAnImmersiveSensoryTheatre
#DontComeOnATooFullStomach 🤔
#計畫從阿嬤忘記我名字那天開始
#我們在幾分鐘內滑過他人的生老病死？
#最後我們都進入沈浸式的感官劇場
#別吃太飽來🤔
Exhibition Introduction｜
Visitors enter a sensory rehearsal space for memory, composed of warm light that brightens and dims like breathing, images wrapped in white fabric, soundscapes, scents, and objects from home.
Here, they are invited to lie down, move closer, listen, and feel their way through the space, waiting for memories on the verge of disappearing, yet still lingering within the body, to slowly develop.
The works begin with my experience of accompanying my grandmother through dementia, and extend toward the destabilization of my own professional abilities and sense of identity in the age of AI. These personal experiences of losing one’s capacities are placed alongside a form of “collective dementia” emerging within an algorithmic landscape.
When we can no longer prove who we are through memory or function, what remains?
Perhaps the body remembers before the mind does.
展覽簡介｜
觀者走進一座由呼吸般明滅的暖光、被白布包覆的影像、聲音地景、氣味與家庭物件構成的「感官記憶排練場」，在其中躺下、靠近、聆聽與摸索，等待那些瀕臨遺忘，卻仍留存在身體裡的記憶慢慢顯影。
作品從我陪伴阿嬤失智的生命經驗出發，延伸至我在 AI 時代所感受到的職業能力與身分認同的鬆動，並將個人的失能經驗與演算景觀下的「集體失智」相互映照。當人不再能以記憶與功能證明自己，我們還剩下什麼？也許，身體會比意識更早想起來。